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Music relies primarily on repetition to help it make sense to the listener. In popular music and children's songs, the repetition is often very literal and direct, making the music more immediately accessible. In art-music, the repetition is often varied and transformed. This makes the repetition flexible, capable of assuming of many forms and moods.
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In order to more fully appreciate music—any music,familiar or unfamiliar--let us begin by considering music from the “ground up,” free from the constraints of aparticular era or style. What is music and how does it make sense to us?

Music is a time-art: It needs time to unfold. Whereas it is possible to have an instantaneous view of a painting, it is not possible to have an instantaneous hearing of a piece of music. We can all remember those electrifying moments when we round a museum corner and, suddenly, a favorite Rembrandt or Picasso bursts into view: We can take in the entire canvas in a single glance. Music does not offer such short cuts: There is no way to hear a favorite musical work other than to listen all the way through.

Music is ephemeral. A painting or sculpture exists in concrete physical form. When the lights are turned off in the museum, the painting is still there. But music is a performance art: Each moment is temporary, washed away by the next. A sound exists in its precise “now,” and then vanishes. Once the performance is over, the music is gone.

Music is unstoppable in time. Like music, fiction is a time-art. But the reader is in control of the pacing: He or she may read the book in a single sitting or over the span of several months. In contrast, a musical performance is not meant to be interrupted; the pacing is out of the listener’s control. Furthermore, the pages of a novel are all accessible at any time: The reader may review passages at will—meditating on the meaning of an ambiguous paragraph or looking back to confirm an important clue. The reader may even give into the temptation to skip ahead to the ending. No such luxury exists at a concert. You can’t raise your hand and say, ”Forgive me, Maestro, I didn’t understand that last passage” and have the maestro reply,” Yes, you in the tenth row, no problem, I’ll take it over again from measure nineteen!” Music rushes by, unimpeded by the listener’s questions, distractions or desire to linger.

Finally, music is abstract and non-verbal. The meaning of a word may be colored by context; but there is has an enduring, stable meaning, which any of us can look up in the dictionary. If I use the word “egg” as a metaphor for birth or renewal, the metaphor only succeeds because you and I share a common definition. On the other hand, musical sounds do not have literal or fixed meanings. Musical sounds may evoke moods or images, may suggest yearnings, loss, or surprise: But these interpretations are far more subjective and open-ended. You can never say “Please get me a soda from the 7-11” in abstract musical sound. Music is not designed to be that literal. Although music is often referred to as a “language,” its sounds are never anchored to any specific meaning.

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Source:  OpenStax, Michael's sound reasoning. OpenStax CNX. Jan 29, 2007 Download for free at http://cnx.org/content/col10400/1.1
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